Queer/Cuir/Feminist (Q/C/F) Américas Working Group Symposium

This is a public symposium of the Queer/Cuir/Feminist (Q/C/F) Group of the Americas to be held in Ann Arbor on September 20, 2019, to advance the publication of two scholarly journal special issues that will appear in the United States (in English) and in Brazil (in Spanish and Portuguese). We aspire to create a public space at the University of Michigan for the discussion of LGBTQ Latinx, Indigenous, and Afro- diasporic gender and sexuality through this one-day public event. Our interdisciplinary, transnational, action-based, Latinx queer feminist scholarly group includes university-based scholars and independent scholars and activists that are involved in diverse educational initiatives in several Latin American countries and U.S. Latinx communities. We will host a panel discussion, a keynote speaker, and a reception.

A/PIA Seminar: Gordon H Chang

Gordon H. Chang (Professor of American History, Stanford University)

Bio:
I am interested in two areas of American life that are often considered separately. The historical connections between race and ethnicity in America, on the one hand, and foreign relations, on the other are in fact profound. I explore these interconnections in my teaching and scholarship. My particular area of focus is trans-Pacific relations, the inter-connections between East Asia and America.I am interested in political, social, and cultural interactions from the earliest days of America to the present.My current research project concerns the recovery and interpretation of the experiences of Chinese railroad workers in North America. Please go to www.chineserailroadworkers.stanford.edu for more information.

The World to Come: Art in the Age of the Anthropocene

https://umma.umich.edu/sites/default/files/Harn-sixpetritsch_spatialintervention.jpegThe World to Come: Art in the Age of the Anthropocene awakens us to the physical and social effects of the Anthropocene, a much-debated term used to define a new geological epoch shaped by human activity. Structured around ecological issues, the exhibition presents photography, video, and sculpture that address subjects and themes related to raw materials, disasters, consumption, loss, and justice. More than thirty-five international artists, including Sammy Baloji, Liu Bolin, Dana Levy, Mary Mattingly, Pedro Neves Marques, Gabriel Orozco, Trevor Paglen, and Thomas Struth, respond to dire global and local circumstances with resistance and imagination—sustaining an openness, wonder, and curiosity about the world to come.  

Artist Residency with Mary Mattingly in conjunction with The World to Come: Art in the Age of the Anthropocene

UMMA and the Ann Arbor Summer Festival welcome artist Mary Mattingly to Ann Arbor for a 3-day residency, June 27–June 30. Mattingly, whose photograph Life of Objects (pictured to the right) is featured in UMMA’s exhibition The World to Come: Art in the Age of the Antrhopocene, is deeply concerned with our relationships to objects—where they come from, where they go, their implications for humans, and their impact on the environment. Join the artist for a variety of interactive workshops and discussion-based programs during her residency. 

Long Table Discussion: Art / Environment / Sustainability

UMMA and the Ann Arbor Summer Festival (A2SF) welcome artist Mary Mattingly to Ann Arbor for a three-day residency, June 27–30. Mattingly, whose photograph, Life of Objects, is featured in UMMA’s exhibition The World to Come: Art in the Age of the Anthropocene, is deeply concerned with our relationships to objects—where they come from, where they go, their implications for humans, and their impact on the environment. The centerpiece of the residency is a large-scale public art project titled Objects in the Round, in the Annex tent at Top of the Park on Ingalls Mall where festivalgoers will build a miniature landscape with Mattingly that explores relationships with objects, built landscapes, and habits of consumption.   To kick off her residency, Mattingly will be joined by thought leaders from U-M and beyond—A2SF’s James Carter, UMMA curator Jennifer Friess, arts curator of the U-M Institute for the Humanities Amanda Krugliak, director of the Huron River Watershed Council Laura Rubin, Detroit-based interdisciplinary artist Sacramento Knoxx, independent film director and producer Diane Cheklich, and Christy Bieber, co-director of The Aadizookaan—for a discussion on the possibilities and challenges for artists and arts organizations creating and presenting artwork that explores sustainability and the environment. The Long Table format was born from director and scholar Lois Weaver’s exercise on participation and public engagement. Its aim is to foster civic-minded discussions on ideas and questions surrounding the city’s creative culture. It’s a dinner table atmosphere encouraging participants to ask questions, make statements, leave comments, or openly sit, listen, and watch.

For more information about additional programs for Mattingly’s residency and related to The World to Come exhibition, click here.

Mary Mattingly’s residency is presented in partnership with the Ann Arbor Summer Festival’s Festival Footprint Initiative established with generous support from  Toyota.


The World to Come: Art in the Age of the Anthropocene is organized by the Harn Museum of Art at the University of Florida and curated by Kerry Oliver-Smith, Harn Museum of Art Curator of Contemporary Art. Support for the exhibition is provided by the Andy Warhol Foundation for the Visual Arts, UF Office of the Provost, National Endowment for the Arts, C. Frederick and Aase B. Thompson Foundation, Ken and Laura Berns, Daniel and Kathleen Hayman, Ken and Linda McGurn, Susan Milbrath, an anonymous foundation, UF Center for Humanities and the Public Sphere, UF Office of Research and Robert and Carolyn Thoburn, with additional support from a group of environmentally-minded supporters, the Robert C. and Nancy Magoon Contemporary Exhibition and Publication Endowment, Harn Program Endowment, and the Harn Annual Fund.

Lead support for the local presentation of this exhibition is provided by Lizzie and Jonathan Tisch, the University of Michigan Office of the Provost, Michigan Medicine, Tom Porter in honor of the Michigan Climate Action Network, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Penny W. Stamps School of Art and Design and School for Environment and Sustainability. 

The Punishment Continuum: How Court Actors Sentence and Enforce Monetary Sanctions

Professor Alexes Harris

Event flyerAt this ISR Reads Event, hosted by The Institute for Social Research and the School of Public Health Epidemiology, Professor Alexes Harris will discuss her book “Pound of Flesh: Monetary Sanction as a Punishment for the Poor” (2016 Russell Sage). 

The work examines the system of monetary sanctions (fines and fees), how decision-makers interpret the state law, apply the law to people before the court, and monitor their payments. Dr. Harris will also talk about her current five-year study examining the system of monetary sanctions across eight states and discuss policy implications. 

Alexes Harris is the Presidential Term Professor in the Department of Sociology at the University of Washington. 

A livestream of the event will be available: https://bluejeans.com/718378010

If you require an accommodation to participate in this event or have any questions, please contact Anna Massey at abeattie@umich.edu.

The World to Come: Art in the Age of the Anthropocene

https://umma.umich.edu/sites/default/files/Harn-sixpetritsch_spatialintervention.jpegThe World to Come: Art in the Age of the Anthropocene awakens us to the physical and social effects of the Anthropocene, a much-debated term used to define a new geological epoch shaped by human activity. Structured around ecological issues, the exhibition presents photography, video, and sculpture that address subjects and themes related to raw materials, disasters, consumption, loss, and justice. More than thirty-five international artists, including Sammy Baloji, Liu Bolin, Dana Levy, Mary Mattingly, Pedro Neves Marques, Gabriel Orozco, Trevor Paglen, and Thomas Struth, respond to dire global and local circumstances with resistance and imagination—sustaining an openness, wonder, and curiosity about the world to come.  

Artist Residency with Mary Mattingly in conjunction with The World to Come: Art in the Age of the Anthropocene

UMMA and the Ann Arbor Summer Festival welcome artist Mary Mattingly to Ann Arbor for a 3-day residency, June 27–June 30. Mattingly, whose photograph Life of Objects (pictured to the right) is featured in UMMA’s exhibition The World to Come: Art in the Age of the Antrhopocene, is deeply concerned with our relationships to objects—where they come from, where they go, their implications for humans, and their impact on the environment. Join the artist for a variety of interactive workshops and discussion-based programs during her residency. 

Roundtable and Q&A with Hilton Als and Aisha Sabatini Sloan

Hilton Als and Aisha Sabatini SloanPlease join us in the Hopwood Room for a discussion between essayists Hilton Als and Aisha Sabatini Sloan. This lunchtime event will be catered; food will be available at 11:30, and the discussion will start at noon.

Hilton Als began contributing to The New Yorker in 1989, writing pieces for ‘The Talk of the Town,’ he became a staff writer in 1994, theatre critic in 2002, and lead theater critic in 2012. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he shows us how to view a production and how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America. Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.

Aisha Sabatini Sloan was born and raised in Los Angeles. Her writing about race and current events is often coupled with analysis of art, film and pop culture. She studied English Literature at Carleton College and went on to earn an MA in Cultural Studies and Studio Art from the Gallatin School of Individualized Study at NYU and an MFA in Creative Nonfiction from the University of Arizona. Her essay collection, The Fluency of Light: Coming of Age in a Theater of Black and White was published by the University of Iowa Press in 2013. Her most recent essay collection, Dreaming of Ramadi in Detroit, was just chosen by Maggie Nelson as the winner of the 1913 Open Prose Contest and will be published in 2017. She is currently a Helen Zell Visiting Professor in Creative Nonfiction at the University of Michigan.

Community Action and Social Change Info Session

Interested in learning more about the Community Action and Social Change minor? Join an info session to learn more about the CASC community, requirements for the minor, course offerings, the MSW prefered admissions program, and other opportunities to get involved in programs and events.

RSVP Here.

FellowSpeak. “How did you get fat anyway?”: Black Women’s Diet and Exercise in the Mid-Twentieth Century

Ava Purkiss

Eating for Health
Assistant Professor of American Culture and Women’s Studies, and 2018-19 Institute for the Humanities Charles P. Brauer Faculty Fellow Ava Purkiss gives a 30-minute talk followed by Q & A.

In 1959, black fashion and marketing expert Elsie Archer published Let’s Face It: A Guide to Good Grooming for Negro Girls in which she offered health and beauty advice to young black women. Before suggesting diet plans and exercise programs, she asked her readers: “How did you get fat anyway?” Archer added that avoiding fatness through diet and exercise would enable young black women to discover their feminine charms, enhance their appearances, and achieve a body that will “fit in.” My talk will examine how black women like Archer used nutrition advice, diet and exercise promotion, and fat shaming tactics to literally shape the fit black female body in the mid-twentieth century.